Anyway, when they get finished with him, as happens in so many myths of all cultures in the world, he is transformed into some kind of super being and sent back to Earth, transformed and made into some sort of superman. Just as we’re not quite sure what do in zoos with animals to try to give them what we think is their natural environment. They choose this room, which is a very inaccurate replica of French architecture (deliberately so, inaccurate) because one was suggesting that they had some idea of something that he might think was pretty, but wasn’t quite sure. It just seems to happen as it does in the film. They put him in what I suppose you could describe as a human zoo to study him, and his whole life passes from that point on in that room. The idea was supposed to be that he is taken in by god-like entities, creatures of pure energy and intelligence with no shape or form. When you just say the ideas they sound foolish, whereas if they’re dramatized one feels it, but I’ll try. While we don't see Kubrick in the footage, we do hear all of an hour-plus phone interview between Yaio and Kubrick, during which the filmmaker offers his explanation of 2001: I’ve tried to avoid doing this ever since the picture came out. The documentary was never released, but footage was sold on eBay in 2016 and conveniently appeared online this week timed with the movie's 50th anniversary. It comes from a Japanese paranormal documentary from TV personality Jun'ichi Yaio made during the filming of The Shining. Stanley Kubrick himself was always hesitant to offer an explanation of the ending, once telling Playboy, "You're free to speculate as you wish about the philosophical and allegorical meaning of the film-and such speculation is one indication that it has succeeded in gripping the audience at a deep level-but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point."īut, in a bizarre video, which has appeared on Reddit this week, the director seems to provide a very simple and clear explanation of the 2001: A Space Odyssey ending. There are a number of interpretations about this ending, which include theories about rebirth and human transcendence. David Bowman gets sucked into a Star Gate, trapped in a neoclassical French room then turned into a fetus known as the Star Child. Yet, still, people find themselves wondering exactly what happened at the end of the movie, where Dr. Now, 2001 is regarded not just as a sci-fi masterpiece, but as one of the greatest films of all time. In fact, 250 critics walked out of the New York premiere, literally asking aloud, "What is this bullshit?" Open the pod bay doors, and prepare to geek out.When it was originally released in 1968, audiences didn't really know what the hell to think of 2001: A Space Odyssey. In doing so, I promised my colleagues not to write about my favourite film anymore … you know, just like HAL 9000 had promised to be infallible. In honour of the film’s 50th anniversary this year, I have compiled 50 fascinating facts about 2001: A Space Odyssey. The film’s story of mankind being nudged towards progress by mysterious extraterrestrials opened my eyes to the power of cinema to tell a story mostly through visuals, without ponderous words explaining what it all means - although some viewers (and MAD magazine) did complain about being left in the dark.Īllow me to share my obsession with you. I never get tired of seeing 2001, and I always discover something new in it every time I watch. This is the film that made me want to become a movie critic. There’s a moon landing in 2001 of a spindly-legged lunar module called the Aries, a more elegant version of the Eagle lander that was used for the historic Apollo 11 mission that same year. The film continues to work its magic on me with its amalgam of science fact and fancy - although it seemed very real back in 1969. 22, 1969, and we’re there on my birthday to see a film I’ve been dying to see for months. I’m age 13 again, sitting with my dad, John Peter Howell, inside Toronto’s long-gone Glendale Theatre on Avenue Rd., a cherished widescreen Cinerama palace. Something always happens when I watch Stanley Kubrick’s 1968 sci-fi masterpiece, 2001: A Space Odyssey, which I’ve now seen more than 50 times.
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